Blog - Page 25 of 70 - Uncorked and Cultivated

New Sicily: Etna in ancient diversity

Touring Sicily on wine and food exploration turned into an adventure – as I expected.

There were grapes to discover. They were relatively new to an enduring Aussie palate but oh so ancient to the Sicilians in the know.

And the number of vineyard investments, many non-Sicilian, are growing steadily as time passes is a sign of more prosperity to come.

A quick look at the vineyard landscape would not suggest an inviting environment for cultivating its natural red inhabitants, mainly nerello mascalese and its lesser cousin nerello capuccio.

Over eons the volcano Etna above has showered the countryside with both eruptive lava, and sometimes daily doses of ash powder.

The vine environment looks more lunar than viticultural – uninviting, cactus-strewn, rugged, craggy laval monuments sited between, amongst and encircling some vineyard sites. Lava rock is the fence of choice.

This has not denied Etnan development in the least; the lava weathers well, the soils are limiting but presumably sufficiently fertile. The local water is certainly mineralised!

Viticulture is not new here, but is undergoing rejuvenation of the same varieties which have existed for over a century, or more, and probably since antiquity, given the past Roman and Greek influences.

The best influence is the modern thinking: forget the crazy DOC/DOCG system founded by traditionalists and therefore held to be inflexible, and labelling as IGT (Sicilia IGT) indicates contemporary, real-world Sicilian wine (the variety is revealed).

So the process of recognising “crus” or the Sicilian equivalent as “contrade” around the Etna DOC is accelerating nicely, with a greater recognition also according to elevation, starting at 600 m, extending to 1000 m.

Obviously there is greater viticultural risk ripening nerellos at 1000 m, protracted harvest dates, slow times to physiological ripeness, while the few examples I tasted demonstrate greater aromatic character than their equivalents grown at lower heights.

Contrade (crus) of Castiglione di Sicilia

Passopisciaro’s tasting host Letizia Patane presented three 2010 nerello mascalese from differing contrade (there are four):

Rampante of 2 ha (1000 m), Sciaranouva, meaning new lava flow site, these vines are 50 years going older, (800 m) and Porcaria, meaning ugly thing.

To find Passopisciaro-go up the hill!

These wines are sold as single vineyard contrade.

Ramparte showed a lot of flowers, roses, small floral notes, attractive cool-grown influence, sweet in the mouth (the only one to do so), long in fruitiness, distinctive acid and tannin-acid balance; Sciaranouva showed funk (natural yeast effect), some oak aromas, volumes of nose, then black fruits palate, fine and long; Porcaria showed red fruits on nose, black fruits on palate, warming alcohol, yet retains its elegance.

Ramparte contrade-single vineyard nerello

What is the taste anatomy of nerello mascalese. Not a heavily coloured varietal wine, in sync with pinot nero or nebbiolo there. The nose aromatics range from red cherry, black cherry, wild yeast effects, tobacco, earth, spearmint and a range of herbal nuances.

Palate: never full bodied, closer to light-bodied, more textured with a length of flavour which needs to be supported by drying tannin and rising acidity (nebbiolo similarities), oak is subliminal and hardly detectable; minerality on finish is a given. Savouriness.

Sensations in this varietal rise when tasted while eating; in drinking solo the flavours are present but the tannins will often appear unbalanced.

So here is a process for enjoying Etna IGT varietals.

Peter Scudamore-Smith is a Brisbane-based Master of Wine, winemaker and educator www.uncorkedandcultivated.com.au

Top Tuscan IGT: Where in 2011?

Top Italian reds: are the Tuscans prevailing or is the pre-eminence of Piedmontese nebbiolo be set to prevail?

The Gambero Rosso may have its ideas with three glasses and the like, anointing wines from many regions.

Italian standards continue to rise and much of it is better winemaking. Hopefully there is more attention towards eliminating brett.

In one Florentine wine bar I had to leave wine; after ordering three glasses, older Chianti (1998), current vintage (2009) and an expensive (8 euros glass) pinot nero, I just gave up. Too bretty to drink and no varietal flavour left to enjoy.

At the top end of Tuscany there is a big challenge between IGT and traditional DOCG (Chianti and Brunello di Montalcino).

Tradition has producers strapped in as top sangiovese wines ought to stay as just that. Not a bad outcome really.

It was simply stupidity that the Montalcino producers chose to covet the idea that dilution of Rosso di Montalcino with international varieties become a right. Their vote last month failed thankfully and does not need revisitation.

Just because Chianti Classico contains some.

It would be better if this were revoked and all Chianti styles revert to being 100% sangiovese or native red varieties (colorino and canaiolo nero) to strip out the influence of international varieties. Those extra wines can carry the IGT status with impunity.

Many IGT reds impressed, and here is a revisit this month during my Italy Wine & Food Tour of some leading styles – in order of preference.

Ornellaia 2008; 14.5% (USD 250-trattoria price-Rignana); ++++1/2; deep colour, impressive, cedar, leaf, ripe, spicy fruit, a total nose package, palate layered with oak and fruit, the backbone is cabernet, the subtleties rise up as it evolves, many flavours though few protrude and the finish closes off with authority.

Ornellaia 2007; 14.5% (USD 250-trattoria price-Rignana); ++++1/2; deep colour though losing its purples, cedar box oak gives nose sweetness; cabernet expressed as mint/catmint, lots of drying cabernet tannin, juicy drinks, very homogeneous and full-bodied, a powerful drink to enjoy. Memorable.

Solaia 2006; 13.5% (USD 280-Florentine restaurant price); ++++1/2; good deep colour though losing its purples, nose heavily aromatic from very sexy oak use, on the top of that is spicy-ripe cabernet fruit, ethereal and heavenly aromas showing an enjoyable vintage and barrel age residence time, youthful on the palate, powdery, drying tannin, palate still tight, acidity still stoic, long aging wine yet to soften.

Mormento 2008; 14.% (USD); ++++; great colour, what an emphatic wine, lot of oak aging character for 14 months, nose power, spiciness of correct ripeness, fruit has aromatics too, enticing, palate very powerful, nice dryness  yet heaps of tannin for longer aging, yet to be complex but not a consideration for this fresh long liver. Bravo.

Sassacaia 2004; 14% (USD 345-Florentine restaurant price); +++1/2; aged colour, some browns, nose mature, earthy, spearmint, leafy, bonox, palate lifts, complexity, body and prune flavour of mature grapes is very emphatic, earthy aged tones, soft all round with oak recessive, no signs of drying out but mature.

Guado al Tasso 2001; 13.5% (USD); +++1/2; aged colour, browns, some russet shows mature colour, could be brighter, nose earthy, damp soil, fungal, mature leafy fruit has gone into its bottle-complex phase, palate similarly mature, tertiary prune and bonox flavours, drying but not dried out.

Peter Scudamore-Smith is a Brisbane-based Master of Wine, winemaker and educator www.uncorkedandcultivated.com.au

Margaret River style: Flying Fish Cove

Ryan Aggiss called. It is just a year since he had won The Wine Society Young Winemaker of the Year (and another is about to be crowned).

At that past time I interviewed Ryan and tasted the wines which catapulted a young local Margaret River man from Flying Fish Cove winemakers into the national light.

He was both humble and helpful about his wines as regards the style.

One wine was a recent unwooded chardonnay (2010); at the time it was a bit of a worry about where the judges were thinking, yet also an endorsement of where the fruit in this region goes even uncluttered with barrels and little lees.

The Wine Society show some vision as Ryan was the recipient of some funds to travel elsewhere to hone both knowledge (sensory that is) and skills.

He chose Burgundy, with an emphasis on chardonnay.

Out of the fray comes Flying Fish Cove Wildberry Reserve Chardonnay 2010; 12.5%; (USD 30); ++++1/2; superbly pale which is the demand today for top chardonnay from any place, restrained, lemon oak cedar, hints of funk which blew away, good nose which makes you work as it evolves over 6 or so hours, palate composed so fruit is not obvious, there is more artifact wrapped around flavour bits, no primary hit is overdone, then drying oak and palate, acid linearity, a fruit lift at the finish and a great coil of dryness.

Flying Fish Cove-wildberry reserve Chardonnay 2010

Masterly. A good year. OMG alcohol is low.

Ryan says” “The evolution and development of Margaret River Chardonnay is an ambivalent activity that is, I believe, we are yet to find the correct matching of its regionality, sub-regional terroir and clonal/varietal attributes.”

Many people such as Di Cullen, Mike Peterkin, Robert Mann and a host of other makers in the region are down the path of searching. Some have a result which pleases.

He says “From the iconic styles of the mid to late 90′s of bigger, broader and richer wines, to the current trend of restraint, elegance and refinement, this evolution will continue for, I believe, sometime yet.”

“Are we dreaming if we think we can replicate the finesse and style of the world’s finest region, Burgundy?

With Margaret River now being included in the same breath as old world leaders of Chardonnay production, we at Flying Fish Cove are focusing our energy on delivering a style that incorporates all of the above factors, and delivers a long drawn arrow through the heart of these attributes to begin the definition of our style of premium Margaret River Chardonnay production.”

The 2010 Wildberry Reserve Chardonnay is hand selected from a long term Wilyabrup grower, based on clonal attributes, acid balance and flavour/sugar balance.

Picking the fruit just under the 12 Baume mark allowed the eventual free run juice to show restraint and elegance, minimal colour and provide a tract of acid straight down the centre of the palate.

The juice was then settled over night, racked and then “dirtied up” with collected juice solids and placed onto 8 barrels, 2 of which were new French oak, 4 were 1 year old French oak and 2 were 2 year old.

Fermentation was undertaken with a selected yeast strain and upon completion barrels were stirred monthly until desired texture and balance were achieved.”

The wine: was it what we thought it would be?

Do we yet have the balance of all the attributes that will truly begin to carve our own piece of history within this great region?

Well I think we are beginning to compile things together, play on the strengths of the vineyard and show respect to the fruit.

Lower alcohol, fine acid balance and subliminal oak with delicate fruit to me show both a respect to the sub region of Willyabrup and also to the finest producers in the world of this style.”

I think Ryan Aggiss and the team around him is on the money.

Many Australian makers now chase this mix; more angular acidity is a feature-even if it is to compete with the ever-present and overly acid New Zealand sauvignon blanc which is bearing out like a rash.

It brings new meaning to the word full flavoured for chardonnays at 13.5% alcohol and above (Leeuwin?)

Flying Fish Cove Wildberry Reserve 2009; 14.5%; (USD 30);+++++; not super deep colour, but with purples, composed, nose savoury, importantly no herbal notes so the ripeness was nailed, tobacco and cinnamon, oak recessive, palate compact, again savoury, impressive tannins that give backbone, not extra dryness, in a good space with fruit holding the wine a long way on the finish. Impressive.

Expect to see this brand star.

Peter Scudamore-Smith is a Brisbane-based Master of Wine, winemaker and educator www.uncorkedandcultivated.com.au

Coonawarra cool; barrel series auction 14

Coonawarra remains one of the best places in Australia to grow cabernet sauvignon.

Eight Coonawarra cabernet sauvignon barrel samples

So the annual barrel series auction conducted on October 15 is a time to celebrate all Coonawarra cabernets. Buy some if you wish by having a bid. It only has to be five dozen. Average auction price per bottle is around USD 60.

This year eight makers are participating so I had the occasion recently to taste a barrel sample of each cabernet 2010. Wines will be bottled around February 2012 and delivered to the happy bidders in May next year.

Wines are tasted and reviewed in order of my preferences. In all cases as a style of cabernet which has good potential to age as that is the primary construct to hold an auction of the region’s most age worthy grape.

The anchor flavour in this 2010 cabernet group is mint, subtle, menthol like, sweet, green, wintergreen, just a lovely sweet fruit flavour that conveys refreshment from the wine. It bobbed up many times as an underlying cabernet flavour.

Another pleasing character about both this vintage and the means of making these wines, and selecting the barrels for auction, is the path beyond just big, boisterous fruity wines displaying oak dominance or a large aging-in-barrel footprint.

I appreciated wines with ripe fruit aromas (they all had it) and integrated nose character, little poking out, and an element of savouriness on the palate to be accommodating towards food. Tannin of course is a given, that’s cabernet.

Tasting cabernets

Majella barrel; ++++1/2; aromatic oak which emanates sweetness; black fruits and black pepper, oak sweetness, seaweed, very, very, tight tannins which are good, compact as a palate, mint, aniseed, a very composed wine, like the medium body; 2017-2020.

Parker barrel; ++++; spicy, earth, savoury, grand oak sweetness, all about subtlety, chocolate oak on palate, the ripeness is spot on and the spice/savoury traits say this has been excellently thought through in production, softer style, not very tannic so able to be drunk earlier; 2015-2017.

Brands barrel; ++++; earth, cedar, seaweed, oyster shell (developing complexity), oak, actually woody, mint and plum, plump in the mouth, not an oak day but firm-forming tannins which stamps it as cabernet, lots of concentration, 2017-2020.

Zema barrel; ++++; cumin/spice, savoury, oyster shell, complex and smart, slippery in the front of palate, glycerol, very ripe, richer, high alcohol style, mint, high in tannin and long backbone, 2018-2022.

Wynns barrel; ++++; cedar, berry, oak concentration, big on oak and quite drying, good, dusty fruit, warm on the finish, trending towards 14%, will always have oak presence, drink 2018-2020.

Katnookbarrel; ++++; earth and plum, low oak perceived, some good funk, savoury, has the classic mint/spice, lots of tannin, tight and warm, about 13.5%, drink 2017-2020.

The Menzies barrel; +++1/2; cinder oak, very sweet nose, lots of tannin and syrupy texture from ripeness and alcohol, has lots of dryness and brooding flavour to find, a long time until it softens, mild flavour lots of extract, drink 2018-2020.

Lindemans barrel; +++1/2; leafy, straight varietal nose, currant plus oak, slippery in texture from high ripeness, big cedary palate, lot of fruit and mint, fruit style, drink 2017-2019.

Bids for any parcels are entertained by auctioneer Mark De Garis 0n +61 8 87372695.

Peter Scudamore-Smith is a Brisbane-based Master of Wine, winemaker and educator www.uncorkedandcultivated.com.au

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