Renzo Piano has no trouble putting a spell on my thoughts. A moment of reflection brings two words; Tuscan orange and green, colours of the winery at Rocca di Frassinello, Genoa-born Renzo’s architectural invention.
Approaching Rocca di Frassinello winery on Uncorked and Cultivated’s Tuscany Wine Tour 2016
Our Italy wine tours take guests through the depths of Tuscany, offering introduction-only visits to wineries, some open to the public. If you’d like to find out more about this exclusive guided experience for lovers of wine and food, you can call me direct on +61 427 705 391 or email email@example.com.
There it is; sliced, carved and integrated into a 60 hectare Maremma vineyard landscape 50 km north on the Gavorrano coast of the Tuscan town of Grosetto. Planting from 1996 to 2004 has included the staple local grape sangiovese transported from owner’s Paolo Panerai Chianti Classico Castellina property of foundation plants. Added is cabernet sauvignon, merlot and syrah, and recently vermentino, now the goto white drink of all Tuscany.
However Rocca were not the first growing grapes here on the old tin mining, grazing and once malaria-ridden country. The Etruscians were pre-Roman, as recent small necropolis excavations have revealed. But maybe not growing sangiovese then? One day we will know.
Rocca through its winemakers, and grape whisperers have trodden lightly with the mix. This is about respect for local sangiovese, a tough variety, hard to get excellent responses, is given a high priority to grow best, show its naturally grippy tannin to ripen to the top of that expected. Work hard, ripen. So as in all Tuscany it is a late finisher, cranky but fulfilling to get there, causing some lost bunches along the way. That’s cool if a few end up on the ground.
What would you drink from Rocca?
Well sangiovese and international variety blends with increasing levels of oak time, fruit strips and time investment. This is in common with a Bordeaux Chateau approach of scaling price and perceived quality – Rocca is a half share venture with Domaines Rothschild in Pauillac. That’s the labelling. All wines are DOC Maremma Toscana.
Entry stage is the unwooded (cement tank aged, an increasing trend) Poggio alla Guardia 2014; 50% cabernet sauvignon, 30% sangiovese, 20% merlot, nice and rounded, fruity, soft, easy, drink early and don’t concentrate too hard; that’s the intention. Smash it down.
The Ornello 2013 is drinking and softening very well; created from 2006 to take advantage of what the syrah grown here can provide for your drink. Try 40% sangiovese, 20% cabernet, 20% merlot, 20% syrah to make a successful rounded wine; look for the chocolate such is the great ripeness.
Le Sughere di Frassinello 2013 is the deputy wine to the top property wine. Think 50% sangiovese, 25% cabernet, 25% merlot; a terrific wine to handle some aging time though long is not needed; cedary, red-fruited, silky tannins and long on taste. Shaped by some master sangiovese blenders here.
Rocca di Frassinello 2013 is on song now, very deep colour alongside its brothers, so expect little change unless age kicks in 3-5 years time. It is well composed; layered, cherry fruit, from 65% sangiovese, 25% cabernet, 10% merlot, some leafiness, refreshing is the brightness of the fruit, just outstanding, nicely wound tannin from 18 months in barrel; just a super Maremma wine. Needs you to drink one.
Tuscany is a battleground for grand wines called Super Tuscans since the 90s. By old definition all the past wines just reviewed are Super Tuscan as sangiovese-international variety blends. So Super Super Tuscan is a greater category now.
One perverse result is Baffonero 2013; a creation since 2007 made totally of merlot, grown extremely and heavily emphasised in detailed winemaking which could be repeated from Bordeaux’s hyper-expensive Pomerol merlots. The leader in Tuscany is Ornellaia’s Massetto, so here is Rocca’s contender.
Baffonero is very dense, deliberately concentrated by its viticulture, extreme, layers of fruits, coffee and cacao, new oak sweetness, powdery tannins, many but soft and round. That’s a deep play on merlot.
No doubt the Etruscians did not make merlot, just early versions of sangiovese which lasted a few days.